Galerie Gölles cordially invites you to the VERNISSAGE!

 

Saturday, August 23, 2025 at 11.00 am

Introduction by Günther Holler-Schuster

 

EXHIBITION until September 28, 2025, Mon – Sat 10.00 – 18.00
Sun by appointment 0664 2645975

TONE FINK | RENATE KRAMMER

TONE FINK

 

* January 1, 1944 in Schwarzenberg, Vorarlberg

Studied at the Academy of Fine Arts (under Prof. Weiler and Melcher) in Vienna.

 

Tone Fink scribbles and glues, he cuts and spatulas, he layers and grinds and writes something on it, he scratches, tears, perforates the paper, he makes and builds objects and performs with them and is filmed in the process and creates films himself.

And finally, he also does something surprisingly conventional: he draws and paints. And sometimes, as a teacher, he passes on what he does. A phrase by Joseph Beys is important to him: “Art=human=creativity=freedom.” And further: art is “revolt”, ‘riot’, “anarchy”, Tone Fink quotes great artists of the 20th century. And he sticks to it. The artist has childish traits. And just because he takes art particularly seriously, he pretends that he doesn’t take it particularly seriously. But that is deceptive.

To conclude: Tone Fink has exhibited his work in Beijing, Cairo, Berlin, Tokyo, Prague and elsewhere.

(Text excerpt Dr. Peter Huemer)

 

 

 

 

 

RENATE KRAMMER

 

* 1956 in Klein St. Paul, Carinthia

Has been working with painting, graphics, video, installation and photography since 1989. Four semesters of artistic design as part of architectural studies with Giselbert Hoke. Summer Academy for Fine Arts, Salzburg, Rivka Rinn. Training with Helmut Helmessen, Hans Staudacher, Paul Rotterdam and Rebecca LittleJohn, among others.

Exhibitions in Austria, Switzerland, Slovenia, Germany and France.

 

Slow, monotonous structures that take on a life of their own and are repeated in lines. Renate Krammer draws the always horizontal lines with a free hand. Density and thickness as well as length and the distance between them are the only creative elements. What the artist once sought in drawing was formlessness, which, despite strict reduction, has by no means materialized – rather, a new cosmos of forms has emerged. As with the binary code, which gets by with 0 and 1, everything seems to be expressible through horizontal lines – rhythm, movement, space, light, writing.

(Günther Holler -Schuster)

 

Tone Fink

Hair hand head hole

1978, mixed media on paper 100 x 70 cm

Tone Fink

Bar

2007, metal, papier-mâché, 116 x 54 x 120 cm

Tone Fink

Fleshless game

1984, mixed media on paper, 70 x 100 cm

Tone Fink

O.T._5 mai

Mai 2025, mixed media on canvas, 50 x 40 cm

Tone Fink

untitled_may6

Mai 2025, mixed media on canvas, 50 x 40 cm

Tone Fink

untitled_2

1998–2002, mixed media on canvas, 210 x 90 cm

Tone Fink

unitled_May

May 2025, mixed media on canvas, 50 x 40 cm

Tone Fink

untitled_37

2008, mixed media on paper, 37 x 27 cm

Renate Krammer

Lost Space_5

2024, acrylic on canvas, 100 x 100 cm

Renate Krammer

untitled_12

2019, graphite on paper, 12 drawings, each 50 x 50 cm, framed in white, 150 x 300 cm

Renate Krammer

untitled_2

2025, torn mulberry paper, acrylic, collage, 684 × 74 cm

Renate Krammer

Lost Space_1

2024, acrylic on canvas, 100 x 140 cm

Renate Krammer

untitled_1

2025, torn mulberry paper, acrylic, collage, 84 × 74 cm

Renate Krammer

untitled_10 mbp

2025, torn mulberry paper, acrylic, collage, 64 × 64 cm

Renate Krammer

untiteld_16

2025, engraved acrylic glass panes, wooden frame, black lacquer, 100 x 70 cm

Tone Fink

O.T._V1

2023, acrylic on velour paper, 70 x 50 cm